Make better reeds. Also included is my guide to scraping oboe reeds that is available for download. 6% coupon applied at checkout Save 6% with voucher (limited sizes/colours) Get it Sunday, Dec 6. It's easy to say quality is more important than quantity, but be careful with that saying because you also need a large quantity of reeds just in case something changes. The tip (especially at the top and sides) should be scraped thin enough to easily start the sound. If a reed does not respond very well in the low register, I would consider that an unresponsive reed, not necessarily a hard reed. In other words, before you decide to clip the tip, make sure that the reed is overly responsive. If you try working on an over-soaked reed, you will try to fix problems that aren’t really there. In this video we go step-by-step through the process of making an American-Scrape Oboe Reed. After clipping your reed you might need to re-finish the tip and make it thinner. For me, I make my reeds to be as responsive as possible while still maintaining some restraint to the tone. Only use your air. Often reed makers have the thumb of the hand holding the reed resting on the knife to have more control right where the knife is scraping. Scrape the tip in an upward motion (toward the folded tip). Even better, try to have a bunch of reeds at various stages of completion. Reeds can be really open when they are brand new. The reed also needs to be balanced so that the heart isn't too thick compared to the tip or windows. Maybe not everyone reading this has driven a car, but you wouldn't want to tap the accelerator and have the car go 90 mph, but instead, you would want to have the control to ease on the accelerator to increase your speed. Just try to sound your best with what you got and try to find ways to improve. Check out the oboe reed measurements page to see how I make my reeds. The oboe is constructed such that there is a piece of cork wrapped around part of it, and the cork is inserted into the upper section of the instrument. Work the reed in this manner until you feel your reed is scraped to your needs. If you've scraped too much out of one area, you can't add cane back on, but you can try rebalancing the reed and make every other part else thinner by comparison. I think some of us have slightly different definitions of words like 'response' or 'medium-hard reed'. You will have more control over your scrape, The tone quality and response of your reeds will improve. Learning to make oboe reeds is a very big endeavor to undertake and has always been extremely difficult and time consuming to learn. I tend to play on light reeds, but I look for 'restraint' or 'cushion' in the response. It's easy to say quality is more important than quantity, but be careful with that saying because you also need a large quantity of reeds just in case something changes. I try not to let myself mess up any more than three reeds at a time. 2:00. Maybe a reed with too small of an opening might be perceived as too easy, or a reed with too big of an opening might be too hard to play in the upper register. By clipping the reed, the reed became more open. Try just playing your reed (a crow and/or a peep) and try starting the sound with as little air as possible and see what happens when you slowly increase your air. Maybe I'll fuss with those reeds a little bit and try to get them closer to what I play on, but I still like to have a few reeds that are a bit different. Reeds are listed here in order of most free-blowing to most resistant: M – Very free-blowing, long tip, larger aperture in general, responds well to a firm embouchure. That means that a professional who plays on hard reeds should still be able to play low notes reliably. It takes longer to finish the reed, but your results are worth it. For an oboe reed to work at it's best (vibrate at its optimum level) it needs the be correctly balanced; the reed should have the same thickness of cane on both front and back blades and on each half of both blades (see diagram, left).. By having some restraint to our sound, it will improve the tone quality. I wasn't sure at first if it was too long, but comparing it to the reeds the other players in my section use, there is a noticeable difference. £6.59 £ 6. This course goes step by step teaching you how to make reeds. (Note: While this is a reed making blog, keep in mind that your oboe needs to be in impeccable adjustment. Oboe bell should be down just above knees . It is important to use as many adjectives as we can to describe our reeds (and our playing too) to help zero in on the precise problem. This means that the reed should have the same thickness of cane on both front and back blades and on each half of both blades (see diagram, left). The easiest way to scrape is to place the reed on a mandrel for easy handling. Maybe keep one old reed that used to be good in case of an emergency, and then a few newly finished reeds that are not broken in. 1. You can adjust this in the tip, the blend, the heart, or the windows a little bit, but here's the thing—reeds change every day because of the weather or how broken in they are. to see how I make my reeds. (Scales, long tones) Let the reed dry outside of the case for about 15-20min. For an oboe reed to work at it's best (vibrate at its optimum level) it needs the be correctly balanced. An oboe reed is made from shaving down an actual cane reed. Flexibility (sound and dynamics) 3. Sometimes the reed that is too heavy will be just what you need if you are playing in a black box theater with very dry acoustics. See more ideas about Oboe reed making, Oboe, Oboe reed. You can also look at the transitions between the tip, heart, and windows. You never know what you'll need because you won't necessarily know how a reed breaks in. REED . In this post, I want to go through how I think about response and easiness levels in my reeds. Creating a perfect reed, then, is an almost alchemical process, more aligned with wand-making than blacksmithing. The oboe reeds for beginners that are chosen must play in tune, with proper residence for the specific student.The oboe reed should also be responsive so the student can articulate notes softly or loudly in all registers of the instrument. The tip of your reed should get gradually thinner towards the top, so clipping off the tip should leave you with a thicker part of the tip. This is just the visualization I like to use for the terms 'restraint' and 'cushion'. 3. For example, creating more separation between the tip and the heart and between the heart and windows will tend to open up the reed which might improve the response in the low register. If I make three bad reeds in a row, it’s probably time for a break (or most likely it’s time to sharpen my knife). For example, creating more separation between the tip and the heart and between the heart and windows will tend to open up the reed which might improve the response in the low register. 20+ Videos. Yes, I've made good reeds with my Mack+ shaper tip at 70.5 or 68.5 mm, but it's rare. Sometimes, fixing the opening of a reed can make the response closer to your preferences. I have been taught how to make oboe reeds the old fashioned way- and it took years of training, frustration, and persistence, just to get it right for me. This article will help you diagnose, adjust & hopefully fix the following factors with your oboe reeds: 1. I will try to keep some reeds that feel too heavy, or have too big of an opening, or are too 'zingy' in their sound because I don't always know what I'll need each day or in every concert venue. This will put you in a cycle where you feel like your reeds are not responding well enough, so then you will scrape extra cane off…which makes the reed go flat…then you clip the reed to bring the pitch up…which makes the reed less responsive…so then you scrape more cane off…which makes the reed go flat…etc. Table of Contents for All Reed Making Posts | How To Make Oboe Reeds, Favorite blog posts, December 2020 | Bret Pimentel, woodwinds. If there is a problem with a reed being too open or closed, it should be addressed directly. That will waste time and make your reeds worse the next day. The size of the reed opening can also be mistaken for hardness. There are times when I make a batch of reeds that all seem to die within a few days, but then the reeds that were too hard at first are still useful. Also, the heart and windows should be balanced so that they are not so thick that the reed doesn't vibrate, and of course, not too thin that the reed is flat and too 'loose' in how it responds. Taking more cane off of the heart and windows will make the reed respond more easily in the low register, but if you take too much off the reed will go flat. Try adjusting the opening of the reed to make it easier (or harder) to play and to change the pitch of the peep crow. Some people like to play with harder reeds than other people, but having a variety of reeds can help you in situations that are atypical. or at least until February? My favourite staples all have thin metal, but the also have different conical properties, so I was never able to compare different walls alone. The reed goes into what’s called the bore, which is a very small hole at the tip of the oboe. Make your reed quickly and efficiently. Time will tell. And of course, if you have any thoughts, feel free to comment or send a message! See more ideas about Oboe, Oboe reeds, Oboe reed. Duration. English. Tone (does it make a nice sound) 5. Bring the reed to your mouth - not your mouthto the reed . But, because reeds are unpredictable and can change based on the weather, you will want to have a variety of reeds ready. The restraint in the reed comes partly from leaving enough cane in the center of the tip. I heard from a pianist that he likes to warm up pretending like he is underwater so that when he warms up, his movement is slower and more deliberate with a lot of 'restraint' in his motion, just like how someone would move if they were underwater. Will these resolutions last until the end of the year? Here are 5 reed making resolutions for 2021. Check out this post with my reed making measurements here. 2. Soak the reed for 1-2 minutes. To test the response, you can try playing the low, middle, and high Cs and C#s to make sure each note responds similarly. In general, if a reed is too hard for me, I might scrape more cane out of the blend area or scrape more out of the top and bottom corners of the tip. Moving between a B and an A should feel the same as moving from an A to a G, and from G to F#, and F# to E, and so on. There are some halls and rehearsal rooms that I have played in that required a heavier reed. I continue to thin directly behind the heart and balance to that adjustment by clipping the tip and again thinning the sides of the tip. Keep the reed in the case for storage; Soak the reed again and play for longer practice sessions or rehearsals. The hardness or heaviness of a reed is very often mistaken for response. On my reeds, I basically scrape what some people call a 'super tip'. Some reeds will only ever be OK, so use those to practice on. 5.0 out of 5 stars 1. 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